Registration is open until June 20, 2008 for the debate and workshops that will be held on June 26-27-28 during the event “Flexibility. Design in a fast-changing society,” one of the most important appointments during the World Design Capital Torino 2008 calendar of events.
As of June 29th, three related events are open to the public and will encourage an international exchange about design, as well as provide an opportunity to learn more about the themes of the exhibit. The events will take place in the captivating surroundings of the former prison Ex Carceri “Le Nuove.”
On June 28th an open debate will be held (registration is required for participation). The debate will be chaired by the exhibit’s curator, Guta Moura Guedes, and Alice Rawsthorn, a journalist and design critic for the International Herald Tribune. It will feature the participation of internationally famous designers who have created some of the exhibit’s installations including Ross Lovegrove, Patricia Urquiola, Clemens Weisshar and Matali Crasset
The workshops, which will be in English, will be held in two different sessions on June 26th and 27th, and are reserved to design students enrolled in their final year of studies, as well as to young professionals. The key figures of the workshops are Fernando Brizio, Antenna Design (Sigi Moeslinger & Masamichi Udagama), Emiliana (Ana Mir & Emili Padros) and Giulio Iacchetti.
Entrance is free and places are limited. To participate, please sign up at the website www.torinoworlddesigncapital.it
Flexibility: the exhibition
June 29, 2008 to October 12, 2008
Ex-Carceri, “Le Nuove”
Via Paolo Borsellino 1
Labyrinths of roads, agglomerations of buildings, mazes of relations. In 2050 over 90% of the world’s population will live in cities, places that already today are characterised by growing complexity. The urban panorama is a system of close-knit connections between material objects and immaterial factors produced by man. An often chaotic space, that conditions, restrains and sometimes paralyses movement, considerably reducing the space for manoeuvre of individuals. Too often, in fact, the structure and products used every day are characterised by rigidity and poor adaptability.
In this scenario, flexibility becomes a need and a response at the same time.
Flexibility as a need to break down walls, to leave well-trodden paths, to step away from pre-packaged solutions.
Flexibility as a response: an attitude that allows individuals to react to a context that changes at ever-increasing speed and produces unexpected results, sometimes with an explosive impact.
The exhibition “Flexibility – design in a fast-changing society” poses questions about bonds between flexibility and design, where flexibility is intended as the ease with which a system or components of it can be modified and adapted for use in different applications or settings to the ones for which they were originally designed.
A narrative and experiential path explores the diverse ways of designing the world and society starting from a concept of adaptability, from the perspective of transforming town and city environments into more elastic places, durable but also welcoming and changeable spaces.
At the “Ex-Carceri, Le Nuove” former prison, the show stretches out along the corridors flanked by the cells, creating a route in three stages, with the sound track from the musical research of three sound designers. The effect is strident and of great impact: the defence of flexibility and the constriction of the place interact, giving life to a particular conceptual oxymoron.
In the circular space of the panopticum, from which the prison wings reach out, the exhibition introduces visitors to the multitude of meanings attributed to the concept of flexibility. After this, in the men’s wing, examples are proposed of effective design objects and solutions in terms of adaptability and versatility and that can be applied in our houses, workplaces and cities. At the end, the exhibition route finishes in the women’s wing where ten installations created specially by ten rising designers on the international stage are on show.
A multi-faceted voyage proposes and supports flexibility as a design approach, as well as a process to learn and practise so as to exploit unpredictable opportunities and refine the capacity for individual adaptation, and therefore survival.
On show the installations expressly designed by:
- Antenna Design (Sigi Moeslinger & Masamichi Udagawa) – Austria/Japan/USA
- Bertjan Pot – The Netherlands
- Clemens Weisshaar & Reed Kram – Germany/Sweden
- Emiliana (Ana Mir & Emili Padrós) – Spain
- Fernando Brízio – Portugal
- Giulio Iacchetti – Italy
- Matali Crasset – France
- Patricia Urquiola – Spain/Italy
- Ross Lovegrove – United Kingdom
Curator: Guta Moura Guedes
Assistant curator: Rita João
Exhibition designer: Pedro Gadanho
Communication design: R2